Friday, 21 August 2015

Soul's what stands out!


Our generation has seen a fair revival of soul music through talented vocalists like Adele, Lana Del Rey, John Legend etc. Again, like all genres covered in Musical Breakdown, the aim is to showcase is on what we really missed out on in terms of musical gold along the years.

Due to infusion of hip hop elements since the 90’s, R&B has seen a great resurfacing. A lot of this also rubbed off on what we understand as Soul music these days. Most of what we experience and consume as Soul in the 2000’s and 2010’s is usually a inspired and collaborated works with bringing rap and hip hop angles to the music to make the experience more relevant to the millennial listeners.

My focus in Musical Breakdown is to get you a sense of how this beautiful and suave genre come about?  Of course, it didn’t appear out of thin air. 

Well, the development of Soul music is said to be essential to the Black American experience of the mid 20th century. It grew out of a combination of Jazz that was born a half century before soul ago, Gospel music that was prevalent among the African American community of the time and R&B that is to quote Wikipedia. 

The culmination of these genres to create soul music, had more to do with catering to mainstream lounge performances, radio and stage in colored America, an equivalent of what we hear as ‘Adult contemporary music’. But what was born, became a genre that was very much diverse than the easy listening expectations, it never forgot its jazz origins, giving in to interludes and beats that got the bodily energy moving in the same room it tried to tie down, so as to create a 'lounge experience'. The energy it brought out would later develop and eventually evolve into funk.

To be honest I was clueless about the genre and its uniqueness till I watched Jackie Brown, the Quentin Tarantino ode to Blaxploitation movies starring Pam Grier. The soundtrack of that movie had artists like Delfonics, Bobby Womack, Bill Withers etc and I got a taste of this amazing new world of music, something that sounded very similar to some of the R&B I was aware of at the time. But  it most definitely was something with more fluidity and literal ‘soul’ that got it to flow so effortlessly.
That kind of a wake up call was enough for me to go ahead and dig a little deeper on this new musical fascination of mine. And as soon as I entered the sanctum of soul music, so to speak, I encountered a gamut of stalwarts and musical geniuses that literally blew my mind out.

 So..What is it?

 This genre isn’t as enigmatic as jazz or as esoteric as blues. It is definitely more digestible to any listener and is one of the causes why it enjoyed such great popularity across the 60’s, 70’s and 80’s. The music was greatly dominated by African-American Vocalists whose voice, most of which showcased more grit and earthiness than octave manipulation, unlike jazz vocalists, to put out the emotions they wished to sing about. The background music has one sole focus: create a soundscape that the voice can play upon and there’s hardly any solo instrumental focus.


Soul has the roots and magic of all types of African-American centric music in it, be it Jazz, R&B, Gospel and Blues. And what it takes from each of these genres is their ability to create ease in the listeners’ ears, which these 3 genres have defined uniquely in their own right. You can’t help but feel relaxed when there’s soul music playing in your background. The energy it feeds off is indeed the chilled out forehead lines of its listeners, if I had to put it plainly (*want to know the opposite? Put on a pair of headphones and give Cowboys from Hell by Pantera a spin while looking at your forehead in mirror, you’ll know) This kind of music is almost tailored for a romantic or a lounge-like environment. These are places it can lend themselves to exploit the ambient factor to the best possible degree with soul music. 
 
The other energy that Soul gives out is more on the veins of vocally focused funk a la 'I Feel Good' By James Brown. Now you don’t need me to tell you, that this type of Soul is meant to get your feet tappin’ and body movin’.

Showcase

 As always let’s look into the legends and masters at the ‘soul’ of this genre.

Al green – Let’s Stay together

This man is a definite legend of the genre and was the prima donna for younger soul artists of the 70’s. His vocal style is typical has a peculiar soulful seduction to it, providing him with a great platform to create romantic numbers in the genre. Also Try: I can’t get next to you

Barry white – Can’t get enough of your love babe

Barry white sure has one of the most recognizable voices in the genre. With a thick baritone and distinct hoarse voice, White can liven any spoken word. It’s no wonder how this man wound up selling more than a 100 million records. Also Try: Just the way you are

Bill Withers – Ain’t no sunshine

Bill wasn’t actually a legend if you go by the heights his career reached. But the few tracks of the man which hit the spot wound up defining soul for a lot of people and created an unmistakable and unprecedentedly intimate atmosphere. Also Try: Grandma’s Hands

James Brown – I Got You

It would be a sin to leave this post without mentioning the godfather a half dozen times. James Brown created the energy that soul music,until the early 60’s, seemed lacked. That is, the energy to move crowds to get groovin’. His experiments with the genre gave birth to funk, whose roots are very evident from this track itself. Also Try: Get up offa that thing.

Marvin Gaye – Let’s get it on

Marvin was to soul what we could say, John Bonham was to drumming. His style was as unique and conceptual approach to music created a body of work that can never be confused with another. With a string of albums like ‘What’s going on’, ‘Let’s get it on’ and 'I want you’ he single-handedly raised the bar of soul for the generation.  Also Try: What’s going on?

Sam Cooke – A change is gonna come

Cooke is possibly the greatest singer soul ever produced. This trademark number and the innumerable times it’s been covered, is evidence of the kind of influence this man and his body of work had. In his short career, his music and its popularity paved the way for several other stalwarts on this list to come out and showcase themselves as soul musicians. Also Try: I’ll come running back to you

Otis Redding – Sitting on the dock of the bay

Otis lived a short life, dying at the age of 26 years due to plane crash. In such a short while and with an early start, he created to a legendary persona and music that will eternally mark the genres of soul and R&B. His tone was vulnerable and proud, knowing the power in its emotion, behind he evolved a style that painted simple portraits of life. Also Try: I’ve got dreams to remember

Ray Charles – Georgia on my mind

We all have seen Jamie Foxx in his portrayal of Charles in his Academy Award winning role in Ray. The man was a force so strong that Sinatra himself crowned him genius. His fearless experiments across genres like R&B, blues and jazz forged this sweet divine tasting musical savoury called soul. Also Try: Hit the road jack

Why should you listen?

This genre, more than anything, is something that I could find myself going back to when things got stressful in the day. It doesn’t provide the escapism that Vocal Jazz offers through Sinatra and Martin. What soul masterfully does is that it gives you the stress free mindfulness to get back in rhythm and get on with whatever’s on your plate.
 Soul defines relaxation for the average days listen, providing the right amount of energy, ease and emotion to crack that crust off a dull day. I think our generation deserves to rediscover this amazing style, not just to enjoy it but also ...for once...to realize that a song doesn't needs to be inane and dumbed down to be easy on the ears. Soul provides that trademark balance of energies that can still prove as a potent holder of attention, even in these times of EDM and Hip Hop. As it is quite rightly stated by John Mayer, 

"There's a constantly applicable nature to soul music, whereas sometimes pop music can be a periodical.”


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